Siostry Maryi Niepokalanej

Concert in Brzezie

Music filled the Church of Sts. Matthew and James the Apostles in Racibórz-Brzezie, offering not only an artistic experience but also a prayer and a moment of spiritual reflection. On Sunday, May 17, 2026, the May Concert of Sacred Music took place, organized as part of the 5th Dulcissimian Days, commemorating the 90th anniversary of the death of the Servant of God, Sister Maria Dulcissima Hoffmann. From the very first notes, the church was filled with an atmosphere of contemplation and reflection. The church became a place where music, faith, and community came together. Performing before the assembled audience were the St. Anne Choir from Krzyżanowice, conducted by Leonard Fulneczek, and the Brzezie Choir, led by Aleksandra Gamrot. The repertoire included sacred music pieces whose sound harmonized perfectly with the unique character of the venue. The concert was further enriched by solo performances. The vocal parts were performed by Mateusz Łyżwa (bass), Michalina Gardzielik played the organ, and Paweł Muszkieta presented the subtle and light flute parts. The ensemble was complemented by the Instrumental Ensemble conducted by Andrzej Rosoł, creating a harmonious musical backdrop for the event. A special moment of the concert was the performance of “Ave Maria,” which moved the audience and immersed them in an atmosphere of deep contemplation. The music echoing beneath the church’s vaulted ceiling echoed the words of Sister Maria Dulcissima Hoffmann: “I would like to be a singer, to sing in gratitude for all of God’s blessings.” This quote became the symbolic motto of the event, whose character transcended the artistic dimension. The May Sacred Music Concert was not only an opportunity to experience the beauty of choral and instrumental music, but also a space for collectively commemorating the Racibórz mystic. The evening left the participants with a sense of spiritual closeness, gratitude, and inner peace, demonstrating that sacred music is still capable of touching the deepest chords of human sensitivity.

S. Małgorzata Cur